Freak, Passion, Onion Performing in my own shows, or others’. I've always wanted to be Ingrid Bergman.
2 FOR A FIVER (2018 > )
2 FOR A FIVER is an on going collaboration between performance artists Alice Esmé & Luis Amália.
> more good shit — @dick.vand.dycke
Our work pays tribute to the place and space in which it
plays out. Site-Specific Movement sequence.
De-contextualisation.
Layer over layer, like a palimpsest.
We queer the hyper-normal, the architecture. We clash costume, music, place, object and movement against one another to create bizarre, grotesque situations. #JustForTheLaughs #ThenPolkaTheSalsa
EXHIBITED AT
2018 AND WHAT? QUEER ARTS FESTIVAL
2 FOR A FIVER (A PILGRIMAGE)
2020 RIPOSTE, LONDON
TOTTY HALE (previously known as Tottenham Hale) OR HOW I STOPPED WORRYING ABOUT MY ASS AND FELL IN LOVE WITH TRASH2020 SLANT | WRITTING BODIES
2021 SLANT | WRITTING BODIES
HIGH NOON
CREDITS
Direction Luis Amália
Performance (2 for a fiver) Alice Esmé + Luis Amália
Production A Esther Moya le Robaron una Medalla
Music
(A Pilgrimage)
Chapter 1
—Lola Flores - Ay pena, penita, pena
Chapter 2
—Johann Sebastian Bach - The Brandenburg Concertos
—Sonia y Selena - Con una Mano en mi cintura
Chapter 3
—Simone Biles FX 2016 Music - Samba Mix
—Johann Sebastian Bach - Prelude and Fugue No.2
Chapter 4
—Ludwig van Beethoven - Moonlight Sonata op 27 2 Mov 3, performed by Valentina Lisitsa
—Las Grecas - Te estoy amando locamente
(High Noon)
91:12 Kitchen 1200 E9 5EU
—Poet Keith Jarrett - V.O
—NBC Broadcast from Elena Zamolodchikova FX 2000
—Marta Delas - Barco Negro
High Noon—Kitchen 1200 E9 5EU
—Dorothy Linell & Steven Rickards - Flow My Tears
2 FOR A FIVER (A PILGRIMAGE)
HIGH NOON
Bizarre situations that start to become ordinary and mundane. Two freaks corrupting gymnastics’ routines and the movements of synchronised swimming and perverting gender roles attached to them.
De-contextualisation.
Creating a new series of hyper-normal, daily life spatial relationships. Adding new layers to the architecture (like Enric Miralles might have done). Dissecting, manipulating and deconstructing. Architecture is also made of the actions that take place in the space. We turn our bodies into architectural axonometrics.
Just for the laughs.
LUIS AMÁLIA
Availabe for work in London, Paris and Madrid.
a.luisamalia@gmail.com
UK (+44) (0) 7523 296575
ES (+34) 680 22 95 45
FR (+33) (0) 7 49 62 52 90
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ACTING CV (SPOTLIGHT)
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