Freak, Passion, Onion Performing in my own shows, or others’. I've always wanted to be Ingrid Bergman.
POVERA | CENA.CENOURA (2015)
During the seven acts and the epilogue the audience attends to the meticulous celebration of a meal: setting, starters, first course, second course, dessert and coffee/sherries.
Here, the architecture becomes starting point, generating actions, events. The dramatic text is born after the construction (not the set-design after the play has benn written, as ususal) and it's inspired by both the human actions and the possibilities of the space.
And Time which measures everything.
2015 32º FESTIVAL DE ALMADA
Dar lugar ao acontecimento — Pavilhão Povera
2018 BIENNALE DI VENEZIA
SPANISH PAVILION - VIRTUAL PAVILION
Production A Esther Moya le Robaron una Medalla
Performance Luis Amália
Pavilhão Povera Atelier JQTS | atelierjqts.com
Construction Alexandre Sequeira, Ana Carvalho, Eduardo Bote, Francisca Guimarães, João Carlos Lopes, João Pedro Faria, João Quintela, Pedro Grilo, Tim Simon
Engineering Daniel Maio
Photography Diana Quintela | dianaquintela.com
It is important to explain the experimental character of this piece.
The audience doesn’t expect the piece to happen.
It’s part of the process to catch people’s attention and make them be part of the piece.
The movements and the relation with the audience will change every day. Trial and error. Some things will be kept if they work, others will be deleted.
One act per day and in every act, all of them.